Nikon unveils its first full-frame camera in the new Z Cinema lineup, the Nikon ZR. The result of Nikon’s acquisition of RED, it marks the Japanese manufacturer’s first true entry into the cinema camera segment.
Samyang surprised everyone at the IBC show in Amsterdam. The South Korean manufacturer discreetly exhibited, under glass, two prototypes of zooms designed for Sony E and L full-frame hybrids.
Here is our hands-on review of the Sigma 300-600 mm f/4 DG OS Sports zoom lens. A massive full-frame lens combining a fast aperture with ultra-long reach.
Canon RF 45 mm f/1.2 STM review: wide aperture and bokeh, finally accessible
The Canon RF 45 mm f/1.2 STM offers an unprecedented combination: an ultra-fast f/1.2 aperture, a very compact form factor, responsive autofocus and an accessible price tag. Here is our full review.
After joining the L-Mount Alliance at the end of 2025, Viltrox unveils its first L-mount lens, the Viltrox AF 16mm f/1.8 L, a wide-angle fixed focal length lens already available in Sony E-mount and Nikon Z-mount.
The Tamron 35-100mm f/2.8 Di III VXD aims to combine a wide focal range, a constant f/2.8 aperture, responsive autofocus, and excellent image quality. Here is our full review.
Much more than just a simple revision of a flagship Z-mount lens, the Nikkor Z 70-200mm f/2.8 VR S II is a true demonstration of Nikon's optical expertise. Here is our full review.
On the sidelines of CP+ 2026, Sigma is launching the 15mm f/1.4 DC Contemporary, a bright fixed focal length lens for Sony E, Fujifilm X, and Canon RF-S APS-C mirrorless cameras.