Designed for full-format and APS-C hybrids, the Viltrox AF 35 mm f/1.2 LAB, AF 25 mm f/1.7 Air , AF 50 mm f/2 Air and 85 mm f/1.4 confirm the manufacturer's lofty ambitions.
Over 14 million euros: that's how much a rare 1923 Leica Series 0 sold for at the Leitz Photographica Auction on June 11. A record sum, making it the world's most expensive camera.
At CP+ 2025, Venus Optics lifted the veil on the Laowa 35 mm f/2.8 Tilt-Shift 0.5x Macro, Laowa 15 mm f/4.5 Wide Angle Macro and Laowa 8-15 mm f/2.8 Fisheye lenses. They will be launched in the coming months.
Fujifilm unveiled its first medium format expert compact during a X-Summit in Prague. A spiritual child of the X100VI and the GFX 100S II, the Fujifilm GFX 100RF is impressive in many ways. We had the chance to test it over two days in the streets of the Czech capital—here are our first impressions.
After joining the L-Mount Alliance at the end of 2025, Viltrox unveils its first L-mount lens, the Viltrox AF 16mm f/1.8 L, a wide-angle fixed focal length lens already available in Sony E-mount and Nikon Z-mount.
One year after RED was acquired by Nikon, the two brands unveil their first "hardware" collaboration with two professional cinema cameras, the V-Raptor (X) and the Komodo-X, both equipped with the Z mount.
The Sony FE 50-150 mm f/2 GM stands above all other fast zooms, combining a versatile focal range with an exceptionally bright constant f/2 aperture. Read our full review.
The Nubia Z70S Ultra sets itself apart by opting for a 35 mm focal length designed for street photography. It also comes with a retro-inspired photo kit.
Nikon has rolled out the v3.00 update for its Z8, bringing some nice new features. But this version also raises incompatibilities with certain third-party lenses, notably Tamron. We take stock.
Nikon unveils its first full-frame camera in the new Z Cinema lineup, the Nikon ZR. The result of Nikon’s acquisition of RED, it marks the Japanese manufacturer’s first true entry into the cinema camera segment.